When Charlee was four, her mother left for another man to start the 'perfect family.' Charlee and her sister, Cassie, visited once. Afterwards, Cassie declared their mother to be dead to her. Charlee took that seriously and believed her mother to be dead until finally making a comment to her father when she was eight. Her father told her the truth. How would she react to that as an eight year old, finally learning the truth? When she's forced to go live with her mother because her sister died and her father left for the army, would it be reasonable for her to refuse to accept her new family? How long would it take for her to forgive her mother, whom she heard horrible things about from her sister? How long would it take for her to forgive her sister for leaving her and lying to her?
Bewildered in Bulgaria
Dear Bewildered,
Great questions! Most four-year-olds believe what they are told. You can tell them anything, and they believe it. Learning that her mother is alive wouldn't be much different for an eight-year-old than learning that Santa isn't real. Now the import and consequences are much more far-reaching, but an 8-year-old wouldn't necessarily understand that. There's going to be some adjustment for sure when she goes to the new family, but children are wired from birth to crave having a mother and a father. Even children who are abused want to still be close to their abusing parents. Charlee would likely adjust well to living with her mom (depending on how well mom treated her, I suppose, but I'm operating on the assumption that her mother wants a relationship with her). You can see my series on how children respond to death and grieving to see how she might handle the death of her sister. Dealing with the lies might be more overstated in your questions than would be realistic. Children who learn Santa isn't real usually don't have long-lasting traumatic damage. Hope this helps!
Dear Jeannie,
A seventeen year old Allison escaped from a massacre that took the lives of both her parents. Her only remaining family is a thirteen year old sister, Vera, who she's suddenly become responsible for. Allison is as hard-headed and stubborn as a mule, and her idea of coping with grief is to - well, not. Allison suppresses her grief - she refuses to talk or even think about her parents, refuses to let herself cry, and shuts down anyone who attempts to get her to open up about it, including her own sister. At first, Vera understood her behavior. She thought Allison needed time to cope on her own. But as the story progresses, Allison's behavior only grows worse. In addition to keeping her grief inside, she's hiding a number of important secrets, and now Vera is becoming angry with her. She hates how her sister keeps her in the dark, and that Allison won't even trust her with how she's really feeling. The tension between these two is coming to a boil - Vera is going to confront Allison, and Allison is going to lose control of her feelings. I understand from your previous posts that holding back grief too long results in breakdowns. What I don't understand is how such a breakdown would manifest for a stubborn, snappish, yet hurting character like Allison. More importantly, how is such a breakdown going to affect an already shaky relationship between the sisters?
Adventuring in Austin
Dear Adventuring,
This scenario reminds me of the movie Frozen. Allison is the Elsa character, and Vera is Anna. Elsa was deeply hurting after the death of her parents and having to keep the secret of her powers to herself to protect Anna. She isolated herself, which is a realistic reaction to grief. Anna tried multiple times to get Elsa to talk to her, yet Elsa continued to shut her out. Eventually, they have a confrontation over Anna wanting to get married to a guy she just met, and Elsa can't contain her feelings and reveals her powers, which are scary to everyone and overwhelming to both Elsa and Anna. It looks to me that you could have a similar showdown. The two sisters would definitely be awkward with each other afterward, but breaking the ice (ha! no pub intended...) would be essential for them to move on. Vera will have to confront Allison. It won't be pleasant, but it'll be necessary. It's possible that Allison will withdraw even further (like Elsa did with her ice castle), but she might become more aggressive or her behaviors more erratic. Grief is so varied, as I wrote in the post. It's been my experience that just about anything can go when it comes to grief reaction. Thanks for writing in.
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Maria · 569 weeks ago
jeanniecampbell 76p · 568 weeks ago
Anonymous · 568 weeks ago
Niko lives in a futuristic society where contact with the opposite sex is lethal. (And has been for a couple centuries.) Scientists and politicians have worked ways around this, automating some things and segregating others. Although Niko is a decent person, he is still a product of his culture. Which would seem to include an adherence to the state (who raised him), an utter lack of vocabulary and concepts like family, and a certain detachment from pesky things like consequences. He's fighting that last one as he meets new people and fights for a cure that won't end in extinction, but the more I work on Niko's story, the less stability I find. What room does he have for faith? Or compassion? As an author, it's fun to consider how to throw people into situations, but it looks like I'm exchanging one unreality for another. I don't really see a way to tell this story without coping with a prevalence of homosexuality, so I almost wonder if I need to head back to the drawing board for this. Could a same-sex society survive more than a generation? If these men grow up from boys raised entirely by 'the state', will relationships (between colleagues, adversaries, mentors, etc.) be vastly different without those young ties to fathers, family, and females?
Twisted in Tulsa
Anonymous · 568 weeks ago
Arianne grew up in a very restricted convent until family obligations dragged her back to the real world to get married. And though her education was wholesome and chaste, her family's history is full of intrigue and manipulation. Arianne can hold her own with the best of them. She is fortunate enough to have some say about whom she chooses to marry. When he finds out the extent of the skeletons in her closet, he leaves. Arianne has no second choice in mind, nor any interest in managing her family without her chosen spouse at her side, but wishing and waiting won't get him back. For her to chase him down and court him will break a lot of their medieval social taboos. How can this convent-bred girl romance a man who already knows the worst thing she's ever done?
Hunting in Hoosierville